Tag: Pascal Uehli

  • Facets

    Facets

    I wanted this series to feel like a slow reveal rather than a fixed statement, allowing space for nuance and contradiction. Sophia has a natural ability to shift her energy, and instead of narrowing that down, I leaned into it. The camera became a place where softness and strength could coexist without explanation. What interested…

    Read this Post: Facets
  • A Quiet Venetian Moment

    A Quiet Venetian Moment

    Dayane and I had arrived in Venice a day before my photography course began. The weather was beautiful, the food was perfect, and the mood was calm — the kind of day that makes you slow down and notice every detail. Between espresso and laughter, we decided to use the afternoon light for a spontaneous…

    Read this Post: A Quiet Venetian Moment
  • Pure Photography: Less Setup, More Expression

    Pure photography is not a reaction for me – it has always been part of how I work and think. I was never convinced that I needed the newest or best equipment to create meaningful portraits. Even in my studio days, I never had everything. Not every light, not every modifier, not every camera that…

    Read this Post: Pure Photography: Less Setup, More Expression
  • On trust with Claire

    On trust with Claire

    Trust is never declared — it reveals itself quietly, often when nothing is expected to happen. Paris in November tends to soften everything. When Claire and I met during my last visit, the intention was simple: a short introduction before committing to shared workshops in Zurich the following year. Professionalism was never in question, but…

    Read this Post: On trust with Claire
  • Photography classes 2026 – A Space to Slow Down and See

    My photography classes are an invitation to pause. To step out of routine and return to what truly matters in portrait photography: perception, presence, and the relationship between you and the person in front of your camera. These classes are not about recipes or shortcuts. They are about learning to see more clearly and to…

    Read this Post: Photography classes 2026 – A Space to Slow Down and See
  • While Time Moves On

    While Time Moves On

    It was a summer day in the Valais, the kind where the sun doesn’t ask for permission. The light arrived strong and unapologetic, carving shapes into the landscape and leaving nowhere to hide. I didn’t want to soften it. I wanted to see what happens when strength meets stillness, when the day shows its full…

    Read this Post: While Time Moves On
  • New publication: ETERNALLY BEAUTIFUL

    New publication: ETERNALLY BEAUTIFUL

    This fashion editorial reflects a contemporary approach to portrait and fashion photography rooted in restraint and authenticity. Natural daylight and minimal styling create images that feel timeless rather than trend-driven. The editorial emphasizes human presence over visual dominance, allowing fashion to support expression. Working in color was a deliberate choice to preserve realism and emotional…

    Read this Post: New publication: ETERNALLY BEAUTIFUL
  • The Weight of Bloom

    The Weight of Bloom

    This editorial is a meditation on quiet presence, developed in close collaboration with Vallie Plagirafe. From the beginning, the work was shaped through dialogue—between photographer and model, body and flower, intention and intuition. Melancholy is not introduced as a theme but allowed to surface naturally through restraint. Read the full editorial.

    Read this Post: The Weight of Bloom
  • Light Between Mornings

    Light Between Mornings

    Paris has a way of lowering the volume of the outside world, especially when you step inside and let the city remain only as a distant echo. This series with Chiara came together during one of those pauses—between mornings, between plans—when light enters gently and nothing asks to be performed. I wasn’t interested in documenting…

    Read this Post: Light Between Mornings
  • Who Are You in Front of My Camera?

    People reveal themselves so differently in front of my camera that every portrait feels like a small journey. I cherish this diversity because it invites me to stay open and attentive. The four color personality types are nothing more than a gentle orientation for me — a language that helps me sense someone’s presence before…

    Read this Post: Who Are You in Front of My Camera?